emma twine
emma twine
cinoh:

Peter Zumthor: Zinc Mine Museum Project, Norway
"For the past 12 years, the Pritzker laureate has been working on a cluster of museum buildings that lead to a disused zinc mine in a remote part of Norway. Icon visited the construction site, and the architect’s Swiss studio, to learn why the project has taken so long and how it’s edging towards completion"
Via.
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cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
cinoh:

Étienne-Jules Marey
"Like his contemporary Eadweard Muybridge, Marey, a physiologist, was interested in the science of human movement. By 1882, he had developed a single camera method that he called chronophotography, which allowed him to make images of human and animal movement. His camera was the forerunner of the motion picture camera. 
Marey’s chronophotographs were some of the first images to illustrate the exact process of body movement.”
aestatestudio:

We share our passion for home design and great architecture. Learn more on www.aestate.be
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mikasavela:

Symbolic urban visions of William T. Horton. From A Book of Images 1898.
mikasavela:

Symbolic urban visions of William T. Horton. From A Book of Images 1898.
mikasavela:

Symbolic urban visions of William T. Horton. From A Book of Images 1898.
mikasavela:

Symbolic urban visions of William T. Horton. From A Book of Images 1898.
mikasavela:

Symbolic urban visions of William T. Horton. From A Book of Images 1898.
mikasavela:

Symbolic urban visions of William T. Horton. From A Book of Images 1898.
cinoh:

Milena Bonilla, Noises, 2007
chedwardbeaverdam:

Sketchbook page.
First fanart i’ve done in a long time.
Ed Cheverton
hours of scraping and heat stripping and ripping is finally starting to pay off
aestatestudio:

We share our passion for home design and great architecture. Learn more on www.aestate.be
calumet412:

Untitled by Fritz Goro, Chicago, 1954.
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midimadoka:

yotsuba drawings | otakumode
midimadoka:

yotsuba drawings | otakumode
midimadoka:

yotsuba drawings | otakumode
vostok1:

Florence Lipsky, “San Francisco: La grille sur les collines (The Grid meets the Hills)” (1999)
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tadashi-ueda:

AMALGAM(orange)
16 pages, 18.2 × 25.7 cm
¥300
Design : Tadashi Ueda
tadashi-ueda:

AMALGAM(orange)
16 pages, 18.2 × 25.7 cm
¥300
Design : Tadashi Ueda
tadashi-ueda:

AMALGAM(orange)
16 pages, 18.2 × 25.7 cm
¥300
Design : Tadashi Ueda
sparespaces:

Olga Rozanova (1886-1918), Untitled (Green stripe)
tageszeichnungen:

21.7.2014